Move a Premiere Pro Project to DaVinci Resolve (Beta)

Turn the sequences of a .prproj into a Final Cut Pro 7 XML that DaVinci Resolve imports, without Premiere Pro.

Opens: PRPROJ (Premiere Pro CC 2018 to 2026)
Saves: PRPROJ, XML (FCP7), EDL, OTIO, CSV, TXT

Repair

Premiere Pro project
Choose files… or drop them here
.prproj, .zip · up to 200 MB each, 30 files max
    Add more files

    The .prproj file, and Auto-Save copies of it if you have them (several files or a .zip of the Auto-Save folder). The media files are not needed.

    Options

    Pick the Premiere Pro version you have to get a copy it opens. Features that version lacks may be left out or changed when it opens the project.

    Every sequence as a Final Cut Pro 7 XML (DaVinci Resolve, Final Cut Pro, Avid, Premiere Pro), CMX 3600 EDLs per track and an OpenTimelineIO file. Clips, cuts, speed, transitions, position, scale, rotation, crop and opacity come across; other effects are listed.

    Your files are deleted after processing.

    Move a Premiere Pro project to DaVinci Resolve

    DaVinci Resolve can't open a .prproj file. The usual way across is to export a Final Cut Pro 7 XML from Premiere Pro, which needs Premiere Pro running, a working subscription and a project that opens. When the subscription has ended, the computer with Premiere is gone, or the project is damaged, that way is closed.

    What this tool does

    Upload the .prproj. Every sequence in it is written as a Final Cut Pro 7 XML (the format Resolve's File > Import > Timeline reads), plus CMX 3600 EDLs per track and an OpenTimelineIO file. What comes across:

    • every video and audio track, in order, with the clips at their exact frames and their source in points;
    • constant speed changes and reversed clips, nested sequences, cross dissolves and other transitions with their length and position on the cut;
    • position, scale, rotation, crop and opacity from each clip's Motion and Opacity settings;
    • the media paths, so Resolve links the clips when the media is where Premiere had it.

    Effects, color grades, audio levels and Essential Graphics titles stay behind; the result page lists each effect with the number of clips that use it, so you know what to redo.

    Media somewhere else

    If the media moved, Resolve shows the clips offline after import: right-click the timeline's clips in the media pool, choose Relink, and point at the folder. The media list in the same download gives every file name and its original path.

    A damaged project

    The export works on what can be read from a damaged project too, so the sequences that survived reach Resolve even when Premiere Pro refuses the file.

    More about what this tool reads and writes: Premiere Pro Project Repair and Version Converter (PRPROJ).