Convert FCPXML to Final Cut Pro 7 XML (xmeml) (Beta)

Turn a Final Cut Pro X or 11 export into the Final Cut Pro 7 XML that Premiere Pro and many post tools read.

Opens: FCPXML 1.0 to 1.14, FCPXMLD
Saves: XML (Premiere Pro, FCP7), EDL, OTIO, SRT, CSV, PNG

Convert

Final Cut Pro XML
Choose files… or drop them here
.fcpxml, .fcpxmld, .xml, .zip · up to 200 MB each, 50 files max
    Add more files

    The .fcpxml file from File > Export XML in Final Cut Pro, or a .fcpxmld bundle in a .zip (newer Final Cut Pro versions save a folder). Several XML files or a .zip of them are fine. The media files themselves are not needed.

    Options

    Nested sequences keep each compound clip as one clip you can open, as in Final Cut Pro. Laid out flat puts their contents straight onto the timeline tracks, which the EDLs always do.

    Leave empty to keep the paths from Final Cut Pro. If the media was copied to another drive or a Windows PC, enter the folder it is in now (for example D:\Footage or /Volumes/Media/Project) and Premiere finds the files straight away.

    Clips in the exported events become clips in Premiere Pro bins, with a bin for every keyword and for favorites. Compound, synchronized and multicam clips become sequences.

    More options

    Keep subfolders when the folder holds the same subfolders as on the Mac; all in one folder when every media file was copied into the folder itself.

    Your files are deleted after processing.

    FCPXML to Final Cut Pro 7 XML

    Final Cut Pro X and Final Cut Pro 11 export their projects as FCPXML, a format of their own. Much of the post-production world still exchanges edits as the older Final Cut Pro 7 XML (the xmeml format): Premiere Pro imports it, and so do many audio, color and conform tools. This converter writes that format from an FCPXML export.

    What the FCP7 XML holds

    • One sequence per Final Cut Pro project, with its frame rate (including 23.976, 29.97 drop frame and 59.94), frame size, audio sample rate and start timecode.
    • Video tracks for the primary storyline, connected clips and secondary storylines, stacked in the order Final Cut Pro composites them. Audio tracks grouped by role, stereo sources as stereo pairs.
    • Clip in and out points, with the exact source position for every clip, so clips on mixed frame rates land on the right frame.
    • Speed changes as Time Remap, including reverse, freeze frames, Final Cut's automatic speed for 25 fps footage in 24 fps projects, and speed ramps split into steps of constant speed.
    • Transitions with their length and alignment, so dissolves sit across the cut as in Final Cut Pro.
    • Basic Motion (position, scale, rotation, anchor), Crop, Opacity, Audio Levels and Pan, with keyframes and with Final Cut's fade handles turned into keyframes.
    • Compound clips as nested sequences, multicam clips as their active angles, synchronized clips as linked clips, event clips as master clips in bins.
    • Markers, clip notes, roles, reels, scenes and takes in the logging fields.

    Checked how

    In testing, every converted file is checked for consistency (every clip, file and sequence reference resolves, in and out points make sense) and read back with OpenTimelineIO's Final Cut Pro 7 XML reader, which must find the same sequences and the same clips on the main track. The test files are real Final Cut Pro exports from FCPXML 1.2 to 1.14 and exports from DaVinci Resolve.

    Also in the download

    EDLs for every track, an OpenTimelineIO file, captions as SRT, a media list, the markers with timecodes and a report of the effects and color corrections that the FCP7 format can't hold.

    More about what this tool reads and writes: Final Cut Pro to Premiere Pro Converter (FCPXML to XML).